Credo nell'esperienza come sola forma ragionevole di conoscenza, ma so di essere come una rana in fondo a un pozzo, ignara delle profondità infinite di oceani e universi.  
So che l'unico, imperfetto, fallace e limitato telescopio è quello del cuore che, dove l'occhio limitato della mente non riesce ad arrivare, può solo immaginare e sentire.


I like the border zone where day and night fade into each other, colours are added to colours, sounds dim, where forms overlap and the rays rejoin the centre and movement meets quietness.
I like not only paradox, oxymoron, the union of the opposites, but also their struggle. I like harmony and screeching, Classicism and Hellenism, Zen and Baroque, abstinence and excess, the hand and the machine.
Poor, trivial and popular images move me, as do the most elegant Ottoman miniatures.
I like to contemplate the world as a screen on which I project the ghosts of my mythologies. Contrarily, to erase myself to become the screen on which the world reflects itself.

I believe that experience is the only reasonable form of knowledge, but I know that I am like a frog in a well , unaware of the endless depths of oceans and universes.  
I know that the only defective, fallacious and limited telescope is that of the heart. The mind's limited eye rarely succeeds in reaching that place, one in which you can only truly imagine and feel.

> Gianluca Costantini - Web design
> Stefano Jones - Translations

Ringraziamenti/Aknowledments:
> Armando Porcari / Fabrizio del Signore

> Jennifer Irwin
> Michel Harrelson
> Gayle Ackley